003 — History – Before AAC
A LEGACY OF
LEADERSHIP.
A FOUNDATION
OF IMPACT.
Before founding Armitstead are consulting, Jacqueline Armitstead held senior leadership positions across Queensland's arts, design, government and construction sectors. Her work shaped cultural policy, commissioned landmark public are works and advanced creative excellence across the state. The following projects highlight a selection of her career achievements and contributions that continue to leave a lasting legacy.
30
30+
Years Experience
2*
AIA Art + Architecture Prize
50+
Major Projects Curated
1994
Practice Established
001 — Overview
Jacqueline Armitstead has provided strong leadership and highly successful arts advocacy across Queensland’s art, design, government and construction industries — holding senior positions within both the Arts and Queensland government sectors, and serving on the curatorial teams at Griffith University Art Museum and artisan.
Creating Cultural Value. Strengthening Communities. Building Queensland's Creative Legacy.
Jacqueline Armitstead — Director, AAC
CULTURAL / PUBLIC ART
YARRABAH CULTURAL
ARTS PRECINCT
ART – ARCHITECTURE
ART - ARCHITECTURE
ART STATEGY
ART – ARCHITECTURE
QUEEN'S WHARF
INTEGRATED ART
PUBLIC ART STRATEGY
SOUTHBANK PARKLANNDS
MASTERPLAN
Award winning CURATION
JUDITH WRIGHT
CENTRE EXHIBITION
ART – ARCHITECTURE
BRISBANE SKYTOWER
ART INTEGRATION
CULTURAL / PUBLIC ART
GOLD COAST HEALTH
ART COLLECTION
ART – ARCHITECTURE
TOOWOOMBA HOSPITAL
ART STRATEGY
ART – ARCHITECTURE
MOVALTE KURILPA
CULTURAL SIGNAGE
003 — First Nations Advocacy
Queensland Artworkers Alliance (QAA) Public Art Legacy
During her 6 years at Queensland Artworkers Alliance (1994-1999) Jacqueline Armitstead successfully coordinated the first artist referral service of its kind nationally. The QAA artist referral service assisted in providing advice on artists for exhibition and commission opportunities across the State generating significant employment and commissions.
The QAA artist referral service was recognised by The President’s Award from the AIA (Qld Chapter) in 1997 for outstanding service to the relationship between artists and architecture in Queensland.
Soon, Jacqueline was providing high level “best-practice” curatorial and project management consultancy services to Government and business built highly successful partnerships with architects, clients and stakeholders within the Queensland Government. She delivered several benchmark projects which were used to successfully advocate for the inaugural Queensland Government’s public art policy Art Built-in.
Some of the benchmark State Government include the Cairns Convention Centre which saw the first ever commission of First Nations artists in the State including handwoven biconical by Ned and Nancy Beeron and artworks by Ken Thaiday Senior, Michael Boiyool Anning, Arone Raymond Meeks amongst others, the Neville Bonner Building, 111 George Street, Brisbane and 381 Brunswick Street and at local council level the Strand Redevelopment Townsville and The Brisbane Powerhouse for the Live Arts, New Farm which saw the inclusion of specialist curator team Younger/Reaney.
The QAA team advocated relentlessly to both sides of government for the employment of artists and artworkers throughout Queensland. In 1999, the incoming Beattie/Foley Government introduced the first public art policy of its kind nationally. Under the Queensland Government’s historic Art Built-in policy (1999-2007) departments committed $23.1 million to integrated public art and design. The policy required 2% of capital works building budgets over $250,000 to be allocated toward public art, creating thousands of jobs for Queensland artists and artworkers across 179 projects – with one of the last projects the Ipswich Courthouse reaching completion in 2009.
The Art Built-in policy was replaced by the art+place (2007-2012) fund which saw a commitment of $12 million in the first 3 years. The fund was abolished by the newly elected Newman Government in 2012. However, the legacy of public art continues with Brisbane City Council policy initiatives and at local council levels across Queensland. These policies have also provided significant opportunities for Queensland artists and artworkers to gain specialist skills allowing them to become completive locally, nationally and internationally and allowed for significant skill development specialist art manufacturing and fabrication services to flourish.